OXIDANT | ENGINE : Issue 4
Chloe Clark
There is No Matter in It
We find our necessity
in vacuums:
of space, of sound, of time,
of the whoosh-whooshing
of your grandmother
smoothing through the rooms
of her mostly empty home.
You have a new friend
who tells you:
I wish you knew me
when I was happy,
I liked me better then.
She sucks iced tea
through a neon straw
and it sounds like drains,
like feet getting stuck
in the just rained on mud.
Your grandmother told you,
once, that cleaning is the best
way to remember you’re alive:
the traces through dust, the evapor-
ating smear of soap on glass.
The dog offends cliché:
enjoying the vacuum’s
whine, the paths it leaves
in rugs. He is ready to wear
them down with paws.
Your friend calls you to say:
she can’t hear your voice
through the line. You sound
like you’ve been pulled
through tunnels, she says.
Once you were young enough
to sit cross-legged on chairs,
as your grandmother swooped
around you. She said: I wish
I was born now, so I could grow up
to be an astronaut.
The mouth of the Hoover drank
dust from under your chair.
Your grandmother said:
space must strip
so much away
when it holds you.
Chloe N. Clark's work appears in Glass, Hobart, Uncanny, Yes, and more. She is the Co-EIC of Cotton Xenomorph and her chapbook, The Science of Unvanishing Objects is forthcoming from Finishing Line Press. Find her on Twitter @PintsNCupcakes.