OXIDANT | ENGINE : Issue 5
Karen Holman
A Clasp the Sun
Opens and Closes the Sky
I’ve tucked my mother into a secret
fold that closes-up, tears
open then closes again
like my first purse
with silver dollars and quarters
that used to be magical.
Now money is acres to harrow
before the rains come.
She left with my locket
between her hands
into the country of the future
where language won’t fruit for me.
Here’s my letter from
a three-month tundra-night—
I hope you forget me.
If there is a blossoming here-
after, I think I’ve glimpsed it
sometimes—
otherwise, there’s no where
she would be unbroken.
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adverse events
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little violence,
the key’s
tsk, tsk,
undoing
a lock
tracing
constellations
in air
boiling pot
jolting
its lid
pulling free the roots
zesting, sighing
closing the blinds
thirty in
thirty days
has September
little violence
of irony
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putting a glass
on the table
filling it
with milk.
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Zero Times Zero Times Zero
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No single person disappears
when she dies
but a collective death slips
behind the horizon
so night may reign.
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Ghosts are homeless,
their bodies abandoned buildings—
sockets gone dark as blood
strangled of oxygen.
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First eyelids stiffen—
nothing to see here.
Next the jaws lock
a voice in forever.
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Then the muscles of the neck
go rigid from the repetitive injury
of turning, turning my head.
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Our North Forty
delphinium
our cerulean house
as if the horizon flowers
its palmate umbrella, psalm, an air,
ecumenical light
in icicles
poppies floating in a clear bowl
clean sheet, billowing sail
the green where we lay
tic of forgetting
pulled by night’s drawstring
In that other world
where we never meet,
I think I probably drowned.
Karen Holman works in Detroit as a crisis counselor and advocate for individuals and families experiencing homelessness and mental illness. Her chapbook, Welcoming in the Starry Night of the Lightning Bees, features in New Poets, Short Books, vol. IV, ed. Marvin Bell and she serves on the editorial staff of december magazine. She’s been nominated for several Pushcart awards and her poetry has aired on NPR. Composer David Evan Thomas selected her work to frame his oratorio, The First Apostle, about the life of Mary Magdalene.